• Interview: Nancy Dunham talks to Mat Kearney [Washington Examiner]. Opening for Train tonight at Wolf Trap.
• DVD/Documentary review: Joe Warminsky on Sweet Rock: the Red Weasel Movement [Washington CityPaper]. It’s “a 35-minute documentary about a Salisbury, Md., band that was a small oasis of grunge-era good times on the Eastern Shore and whose members were familiar with D.C.’s late ’80s/early ’90s scene“.
• Republican Vice Presedential candidate Paul Ryan apparently loves Rage Against the Machine. That love is not returned [Washington Post].
• Opera falls just outside the scope of what I cover here on ShowlistDC, but Anne Midgette wrote a few thoughtful pieces for the Washington Post recently, so I’ll round them up here: Taking Opera’s Pulse (a response to a recent cover article of Opera News, which sparked a conversation on NPR) and Opera: great personalities, bad actors.
• Gold Motel at Jammin’ Java, 7/23/12. Reviewed by Stephen Bradley [Washington Times].
• the Kennedys and Naked Blue at the Hamilton, 8/19/12. Reviewed by David Hintz [DC Rock Live].
• Lorelei, Deathfix, and Sun Wolf at the Black Cat, 8/17/12. Reviewed by David Hintz [DC Rock Live] and photographed by Erica Bruce [Washington CityPaper].
• Have you ever wondered what the staff of Brightest Young Things wear to work? We certainly didn’t, but Washingtonian did a feature on BYT’s wardrobe. (Slow news day!).
• Jason Noble of Rodan, Rachel’s, and Shipping News also passed away over the weekend; you can listen to (and/or buy) his benefit compilation, In Pleasant Company: A Mixtape for Jason– featuring Tone, Beauty Pill, True Womanhood, J. Robbins, and more– on Bandcamp [Washington CityPaper].
• Jenn Bress on Run for Cover at the Black Cat, 8/4/12 [Brightest Young Things]. Again, I question whether BYT has anyone on staff that reads copy before it’s posted; let’s round up a few of the typos and random missed words here (and I’m not even going to talk about the tense changes throughout the piece or incomplete/nonsensical sentences):
– “Just when I’m wondering where Nico is, a spazzed out looking AndyWarhol appears.” {we’re used to seeing Andy and Warhol as two separate words.}
– “I’ve found I like to guess what each band [is?] rather than see the set-list beforehand.” {Guess the missing word!}
– “So, a drummer in a 70′s era white suite, a guy in a white jump suit and a guy in a black skeleton costume had me questioning until the main singer appears in [a?] fringed coat (amazing) no shirt and jeans.” {Guess the missing word! Also, guess the missing comma, unless “fringed coat no shirt” is an actual thing.}
– “”Talking about my Generation” gives me that DUH moment when I realized its The Who.” {its vs it’s}
– “the lead singer had all the swagger and grit of Roger Daltrey and is a total rock star.” {We know we said we weren’t going to talk about all the tense issues, but here’s one that’s particularly egregious. Past tense or present tense– please pick one.}
– “A Townsend jump kicks and splayed out leather fringe stance [were?] also included in this mind-blowing performance.” {Guess the missing word!}
– “”Werewolves in London” came on with a dude in a wherewolf mask that stage dove into the audience.” {WOW – two different spellings of werewolf in the same sentence!}
– “I might have been into it if Wolfpussy hadn’t wasted two of out drinks in the process.” {two of OUR drinks, presumably}
– “Now the power bands start to follow, as Run for Cover always builds it’s set appropriately leading up to the ultimate crowd pleasing blow-up acts.” {its vs it’s!}
– “We got “In your Eyes”, “In the Air” ” Land of Confusion” “Solsbury Hill” and “Sledgehammer” all flawlessly performed.” {Are commas between items in a list now optional?}
Tonight – Friday, 22 June
• Preview/Interview: Mark Jenkins talks to Image Band [Washington Post]. Part of the Reggae Night at Carter Barron Amphitheatre.
• CD Review: Walk the Moon: Walk the Moon. Reviewed by Mark Jenkins [Washington Post]. At the Black Cat.
• Preview: Matt Siblo on Hot Snakes [Washington CityPaper]. At the Rock & Roll Hotel.
• Preview/Interview: Marie Gullard on Angela Winbush [Washington Examiner]. At Blues Alley tonight, Saturday, and Sunday.
• The latest on BYT‘s “Write a suicide note to win Morrissey tickets” situation: If you didn’t think that BYT changed the contest on its own, you were right. Alex Baca at the Washington CityPaper talked to a representative of contest sponsor IMP, who confirmed that IMP asked BYT to change the contest. To catch up on how this story unfolded, here’s the backstory: BYT posted a contest on Monday asking readers to write suicide notes in order to enter a contest to win tickets to Morrissey’s show at Strathmore. I wrote about this in Tuesday’s Music Notes. The Washington CityPaper picked up the story later that day and got some quotes from BYT managing editor Logan Donaldson. On Tuesday night, BYT quietly changed the contest to say “string together a couple of paragraphs using only Morrissey’s lyrics”; I printed the full text of the new contest and a rant from their Assistant Editor Stephanie Breijo in Wednesday’s Music Notes, and DCist picked up the story, getting an additional quote from Donaldson. THEN, BYT took its contest down entirely (if you click on the contest link now, you’re taken to a login page). The Washington CityPaper reported on that, with an additional statement from Donaldson. And once again, here’s the CityPaper’s interview with IMP spokesperson Audrey Schaefer.
• The Washington CityPaper picked up the commentary I wrote yesterday about BYT’s ridiculous “write a suicide note to win Morrissey tickets” and talked to BYT managing editor Logan Donaldson. Donaldson’s response is fair, but it’s somewhat negated by this response on the initial BYT post, from Assistant Editor Stephanie Breijo. I’m not going to repost the link, but I will copy/paste her text:
Hi, all–
In defense of this post and with full disclosure I’m writing to say that I, a BYT staffer fully in support of this giveaway prompt, have lost two people–with whom I was very close–because they committed suicide. One of my closest friends in high school OD’d in Los Angeles after a fight with her boyfriend. One of the first boys I ever kissed joined the Air Force and after a long tour in Iraq hanged himself over the side of a boat (in a very public place, no less).
Suicide is very real and it is TERRIBLE. I have experienced suicides first-hand but I’m writing to say that this does not place me above humor. Is it morbid? Entirely. So is Morrissey.
I have a newsflash for all of you: You are going to die. Everyone you love is going to die. Everyone you have ever met or interacted with is going to die, and this includes myself, the author of this post, and all its contestants. The fact that others choose to bow out before their time is sad but it is their decision. Sometimes all you can do is laugh, no matter how shitty the circumstances may be.
A quick google search will show you we are not, in fact, the only online publication discussing suicide in this fashion, in this week alone:
To Catherine Lewis of Showlist DC–I am truly sorry if we have offended you. But if you cannot see the humor in this, you probably shouldn’t be reading our site or, quite honestly, caring what we write about. It is our site. If you don’t like it, don’t read it. No one is pressing a gun to any reader’s head (perhaps more suitable for a Nirvana giveaway of some sort?). No one is being forced to read, nor are they being forced to participate.
That being said, we appreciate your input nonetheless.
Wishing everyone the best for the remainder of your days (however many you may have left),
Stephanie Breijo
Assistant Editor
So, to summarize, (1) it’s OK because Vice did it first. Also, (2) it’s OK because someone at BYT knows someone who committed suicide. And finally, (3) BYT apparently has more than one person on staff with the title of “Editor”. Who knew there was any actual editing going on at BYT?!
Anyway – BYT has changed the text of the contest. It’s no longer “write a suicide note to win tickets”; it’s now this:
TO WIN: Since there is no longer any truth to there being a light that never goes out (oh, song title puns!), and Morrissey has (has not? whatever) announced he’ll be retiring in 2014, why not string together a couple of paragraphs using only Morrissey’s lyrics. Okay, you can use The Smiths too. If you must.
• Interview: Janet Yaceczko talks to Becky Warren [DC Music Download]. Performing at The Black Squirrel Songwriter and Poet’s Series in Adams Morgan on 6/28.
• Interview: Ross Bonaime talks to Yeasayer [Brightest Young Things].
• As you know, I share all the music-related giveaways I can find down at the bottom of these posts every day. Well, here’s one I’m going to post only once: Brightest Young Things is doing a giveaway for Morrissey at Strathmore on 12/7. The contest is for everyone to write a suicide note, and BYT will pick a winner (they wrote: “Best suicide note wins”). Wow. I get that Morrissey and the Smiths’ music is mopey, and I get that BYT is trying to be cute and edgy, but this is pretty screwed up. It’s not just that it’s a morbid contest (which it is, and Shauna at BYT actually responded to one of the entries by writing, “PLEASE DO NOT GO KILL YOURSELF . XX BYT”). It’s that it makes light of suicide, and anyone who’s lived through a friend’s suicide knows what that’s like. It sucks. It absolutely sucks when a friend or loved one takes his/her own life (full disclosure: my friend Jeff killed himself last month and left a public suicide note on his blog). So maybe BYT thought this was funny or some kind of joke, but guess what: writing pretend suicide notes– even to get free concert tickets– isn’t funny and isn’t a joke. I guess this is just another example of how BYT, despite being one of the biggest entertainment blogs in this area, just doesn’t get it.
ADDITION: In order to prevent encouraging the linkbait nature of this contest, I’m pasting the BYT text below, in italics. Read the text here so you don’t increase their web hits count by clicking on the link above.
To say I/we/BYT/everyone loves Morrissey is probably the biggest understatement ever made on this website. So when I/we/BYT saw Morrissey was coming to STRATHMORE on December 7th, we just knew we had to get in on the ground floor. Tickets go on sale this FRIDAY @ 10AM, so get your itchy trigger finger ready and prepare your tear ducts for defeat. This is going to be a heartbreaker to end all heartbreakers.
Oh, and yes… we’ve got a pair of tickets BEFORE THEY GO ON SALE, ready for your taking. Thank you I.M.P.!
TO WIN: Since there is no longer any truth to there being a light that never goes out (oh, song title puns!), and Morrissey has announced he’ll be retiring in 2014, go on and tell us how you would end it all along side him. Best suicide note wins. Really, you’re going to want to think long and hard about this one.
Winner will be selected by Friday @ 9AM. Use a real email address when you comment and lease don’t commit suicide in the process.
• Uber-hipster blog Brightest Young Things is expanding to New York [Washington CityPaper]. 2011 was Brightest Young Things’ most successful year, and its first profitable one, [BYT leader Svetlana] Legetic says. But she isn’t inching back from the operation’s online presence to take advantage of the breathing room that comes with a bigger staff. (The site now has six full-time employees with benefits, plus two part-timers and an army of volunteer contributors, compared to three full-timers a year ago.) As far as bylines go, Legetic will still write the site’s weekend events newsletter, and guide its more ambitious editorial projects. But a lot of her energy in the next few months will involve Brightest Young Things’ more imperial ambitions. This summer, the site is expanding to New York.
• The Washington Post’s sixth annual Peeps contest (sorry, we just can’t bring ourselves to call it by its official name, “Peeps Show”) has concluded. We do love this music-related one, so kudos to Derek Hills and Brinda Krishnan (of the band Not My Sister) for their sugary creation! There are a few close-ups here and here and here.
• Local arts news: Scott Tucker (Cornell University’s choral director) will be taking over as the head of the Choral Arts Society [Washington Post]. The Society’s current head, Norman Scribner founded the organization 46 years ago and is retiring at the end of this season. Tucker’s experience includes fundraising (of particular interest in today’s climate), commissioning new work — he commissioned more than 30 new pieces while at Cornell, including works by Augusta Read Thomas, Chen Yi and Libby Larsen — and world music. He spent part of a sabbatical year in South Africa, learning traditional music by rote from an expert who requested that he not write anything down, saying, according to Tucker, that “those staff lines are like prison bars to the music.”
• Tittsworth is really excited about the return of Trouble & Bass to DC (and has a pair of tickets to give away to a promotion-friendly twitter user).
• Patrick Foster on Sleigh Bells and Liturgy at the 9:30 Club [Washington Post]. Apparently the headliner– which has 2 albums under its belt– played a short, 45-minute set.