On Friday night, 27 June 2014, the Howard Theatre was packed for Ginger Baker‘s Jazz Confusion, a quartet made up of drummer Baker (formerly of Cream and Blind Faith), saxophonist Pee Wee Ellis (James Brown, Van Morrison), bassist Alec Dankworth (Dave Brubeck, Mose Allison), and Ghanaian percussionist Abass Dodoo. And it was definitely packed– I’d never seen the Howard’s balcony open before, and it was open for this show (it’s really cool up there!). The show was part of the DC Jazz Fest, which is celebrating its 10th anniversary this year.
The quartet played a whole bunch of tunes from Baker’s new album Why? (the same musicians played on the album), which I wrote about as part of a concert preview for the Washington Post which you can read here. Baker definitely seemed his age on stage (you can hear how weathered his voice sounds on the recordings below), even joking that certain songs could do him in (you’ll hear his comment, “This could be the one!” before “Aiko Biaye”– just before I started recording, he’d called it a “Ginger-killer”, and he’d been making comments/jokes about his own mortality all night).
Four videos from Friday night’s show are below; for more ShowlistDC concert videos and photos, subscribe to my YouTube channel or follow me on Instagram.
We don’t know about you, but we’re already tired of all the tweets and articles about SXSW, and the festival hasn’t even really gotten going yet. We’re going to try to keep the SXSW coverage to a minimum here.
Audiovisual stuff:
• Here’s a song from the Cubs, “Ashlei” [Washington CityPaper].
• WQXR has this podcast about plagiarism in classical music, featuring the Washington Post’s Anne Midgette. You may remember this blog post by Midgette we posted a few weeks ago about composer Osvaldo Golijov.
